Sarah Moliski movies and TV shows span films, television, web content, and vertical dramas. Public profiles describe her as an American actress, producer, and comedy performer with credits across indie film, network-style TV appearances, short-form web work, and mobile mini-series.
That range is why viewers keep searching for one clear list. They usually want the best-known vertical dramas first, then the movie and TV credits that show how wide her screen work really is.
This article organizes her filmography by format, then highlights the titles that stand out most. It also covers her casting-director work and why this keyword keeps trending with short-drama fans. Use this NetShort guide to explore Sarah Moliski movies and TV shows in one clean list.
- Public profile: actress, producer, and comedy performer.
- Her credits span film, TV, web series, and vertical dramas.
- Recent visibility is strongest in vertical mini-series.
- Earlier credits include sitcom, crime-doc, and web-video appearances.
- She also has public casting-director credits on short-drama projects.
- Some older role labels vary slightly across public databases, so the safest list is the one tied to current public credit pages.
Sarah Moliski movies and TV shows
The easiest way to understand Sarah Moliski’s screen work is to read it as one list across film, TV, web series, and vertical dramas. That format shows both her earlier mainstream-style credits and the short-form titles that now drive most fan searches.
Her filmography is especially useful for readers who discovered her through mobile dramas and want the bigger picture. Once viewers see a few recent titles, they usually want to know what came before and which projects are the best starting points.
Film movies and shorts
Sarah Moliski’s film and short-film credits show that her screen work did not begin with vertical drama. These titles give useful context for readers who want the feature and indie side of her career first.
Lady-Like
- Year: 2017
- Role: Jen
- Format: Film
- Genre: Comedy / romance
This is one of the clearest early film credits in her public profile. It is a good starting point because it shows her in a named feature-film role well before the current vertical-drama wave.
Blood From Stone
- Year: 2020
- Role: Public credits vary across listings
- Format: Film
- Genre: Indie horror
This title matters because it places her in genre-driven indie film before her recent short-drama rise. Public listings reviewed for this rewrite do not present one perfectly consistent character label, so it is safest to treat the film credit as confirmed while keeping the role wording cautious.
Livestream
- Year: 2025
- Role: Mia
- Format: Film
- Genre: Thriller
This is one of her more current film credits and a useful bridge between indie film and her recent short-form visibility. It stands out because the role is clearly labeled and easy for viewers to connect to her modern screen image.
Kristel
- Year: Public release timing varies in listings
- Role: Not clearly labeled in the public snippets reviewed
- Format: Film
- Genre: Thriller / psychological drama
This credit adds a darker tone to her movie list. It is worth noting because it supports the idea that her filmography includes more than comedy and romance-driven projects.
Cannibal Witches from Hell
- Year: In post-production on public pages
- Role: Kara
- Format: Film
- Genre: Horror
This title is one of the most distinctive names in her film list. It also shows that her public credits extend into more stylized horror material, not just relationship-based stories.
Chasing Nightmares
- Year: In post-production on public pages
- Role: Cop
- Format: Film
- Genre: Horror / thriller
This film adds another thriller-side credit to the list. It is a useful reminder that Sarah Moliski’s work includes supporting roles in genre projects alongside the more attention-grabbing vertical dramas.

TV and web series roles
Sarah Moliski’s TV and web credits show her range outside mobile drama. They include sitcom-style appearances, short-form online content, hosting work, and true-crime or dramatic projects.
Unbreakable Kimmy Schmidt
- Year: 2015
- Role: Spin Cyclist
- Format: TV series
- Genre: Comedy
This is one of her most recognizable mainstream TV credits. Even though it is a smaller role, it remains a strong reference point because many viewers know the series instantly.
The Michael J. Fox Show
- Year: 2013
- Role: Public role labels vary across listings
- Format: TV series
- Genre: Comedy
This is an early television credit that helps place her career timeline. Public databases reviewed here list student-type role labels rather than the “news intern” phrasing sometimes repeated elsewhere, so the safest summary is simply that she appears in the series.
Mostly 4 Millennials
- Year: Publicly listed in her bio credits
- Role: Not specified in the snippets reviewed
- Format: Comedy / web-TV credit
- Genre: Sketch comedy
This credit helps show her connection to comedy beyond acting in scripted romance. It is also one of the reasons her profile reads as broader than a standard vertical-drama résumé.
Zip! TV
- Year: Public resume listing
- Role: Lead Reporter
- Format: TV / hosting project
- Genre: Youth / entertainment hosting
This credit matters because it highlights her presenter side, not only her acting work. It adds a useful layer for readers trying to understand why her on-screen energy feels different from performers who work only in narrative drama.
Dhar Mann Studios
- Year: Multiple episodes across public listings
- Role: Multiple short-form roles, including Babysitter in one listed episode
- Format: Web series
- Genre: Short-form drama
This is an important part of her web-series visibility. It also helps explain why many viewers already recognize her face even before they place her name.
The Playboy Murders
- Year: 2023
- Role: Star Stowe
- Format: TV series
- Genre: True-crime documentary series
This title adds a very different tone to her TV list. It shows her moving into crime-doc territory, which gives the filmography more variety than viewers might expect from her vertical-drama work alone.
Over My Dead Body
- Year: 2015
- Role: Tiana
- Format: TV series
- Genre: Drama / crime
This is another smaller but useful screen credit. It helps fill out the earlier-TV side of her résumé and shows she was building episodic credits long before the current short-drama boom.
Elementary
- Year: Public resume listing
- Role: Lead Zoo Attendant
- Format: TV series
- Genre: Drama
This credit stands out mostly because it appears on her professional résumé with a Lucy Liu connection. Even as a smaller acting listing, it gives her TV profile an extra recognizable title.
Best vertical dramas to start with
The best place to start is Sarah Moliski’s vertical-drama run. These titles are the clearest reason her profile keeps gaining momentum with mobile-drama viewers.
Her Double, His Trouble
- Year: 2025
- Role: Erin Fitzroy / Elise Belmont
- Format: TV mini-series
- Genre: Vertical drama
This is one of the best starting points because the dual-role setup makes the credit instantly memorable. It also gives her one of the most distinctive character listings in her recent screen work.
My Knockout Fake Husband
- Year: 2025
- Role: Nora West
- Format: TV mini-series
- Genre: Vertical romance drama
This title is easy to recommend because the role label is clear and the premise fits the fast, high-hook style viewers expect from the format. It is a clean entry point for readers who want a recent lead-style credit first.
Ugly Cinderella and Her Hobo Billionaire
- Year: 2025
- Role: Angela Huffman
- Format: TV mini-series
- Genre: Vertical drama
This is another strong recent title in her vertical run. It is especially useful for fans tracking the broader short-drama cast ecosystem because the series is often part of binge-style cast hopping.
Good to See You Again, My Billionaire Baby Daddy
- Year: 2026
- Role: Daisy
- Format: TV mini-series
- Genre: Vertical drama
This title helps show that her momentum continued into 2026. It is also one of the most current projects attached to her public filmography, which makes it important in any updated list.
The Virgin’s Bucket List
- Year: 2024
- Role: Alyssa
- Format: TV mini-series
- Genre: Vertical drama
This is a useful earlier marker in her current short-drama stretch. It helps readers see that her rise in the format was already taking shape before the denser 2025 list arrived.

Behind-the-scenes work as casting director
Sarah Moliski also has public casting-director credits, which makes her profile more interesting than a simple acting list. That behind-the-camera work shows she is active in the vertical-drama space from more than one angle.
Love and Bloodlust at Vampire Academy
- Year: 2026
- Role: Casting Director
- Format: TV mini-series
- Genre: Vertical fantasy drama
This credit matters because it expands her role in the industry beyond performance. It also signals that her presence in short-form drama is tied to production decisions as well as screen presence.
The Alpha King & His Virgin Bride
- Year: 2025
- Role: Casting Director
- Format: TV mini-series
- Genre: Vertical fantasy romance
This is another key production-side credit. Together with the title above, it shows that Sarah Moliski is part of the vertical-drama ecosystem in a broader and more professional way than many viewers first assume.
Why this keyword is trending
This keyword is trending because Sarah Moliski now has enough credits across multiple formats that viewers want one page that organizes them clearly. A list article solves that problem better than a single-project article does.
Another reason is fan behavior. Once viewers finish a recent short drama, they often jump from one actress page to another, then into fast profile searches like Sarah Moliski age before circling back to more titles.
The same audience also cross-browses other mobile-drama titles. Someone scanning her filmography may jump to a trending title like Submitting To My Best Friends Dad, then return to compare casts, recurring actors, and similar story formats. That is exactly how list-style search traffic grows in the vertical-drama space.
FAQs
What is Sarah Moliski best known for?
She is best known right now for vertical dramas and short-form series. Her public credits also include film, TV, and web work.
Was Sarah Moliski in Unbreakable Kimmy Schmidt?
Yes, she appears in Unbreakable Kimmy Schmidt. Public credit pages list her role as Spin Cyclist.
What role does she play in Her Double, His Trouble?
She is credited as Erin Fitzroy and Elise Belmont. That dual-role listing is one of the clearest hooks in her recent filmography.
Is Livestream part of Sarah Moliski movies and TV shows?
Yes, Livestream is part of her public movie credits. She is listed there as Mia.
Did Sarah Moliski work with Dhar Mann Studios?
Yes, public cast pages connect her to multiple Dhar Mann episodes. That web-series work is a visible part of her broader screen history.
Has Sarah Moliski worked behind the camera?
Yes, she has public casting-director credits. Love and Bloodlust at Vampire Academy and The Alpha King & His Virgin Bride are the clearest examples.
What is the best place to start with her vertical dramas?
Start with Her Double, His Trouble or My Knockout Fake Husband. Then move to Ugly Cinderella and Her Hobo Billionaire and The Virgin’s Bucket List.
Sarah Moliski movies and TV shows now form a broad, easy-to-follow list that stretches from indie film and TV appearances to a dense run of vertical dramas. That range is what makes her profile so searchable and why one title often leads viewers into many more.
The most useful way to read her filmography is to start with the recent vertical titles, then move backward into film, TV, and web credits. That path gives the clearest picture of both her range and her current momentum. Explore more actor lists, cast guides, and vertical-drama roundups on NetShort.

Juliet Bennett is a seasoned short film blog writer at ShortFilx, covering standout shorts, festival picks, and rising filmmakers with clear craft insights and trustworthy recommendations.

